Honda Accord Crosstour

The Crosstour is based on the same platform as the Acura ZDX that we covered at the New York Auto Show when it debuted in near production form earlier this year. Whilst the Acura has a coupe-meets-crossover identity, the Honda has more of a tall fastback identity; it is clearly closely related in name and design to the Accord sedan, just as the BMW 5 GT is clearly related to the 5 Series sedan. This identity is underpinned by quite conservative form language consistent with the Accord sedan and coupe and lacking the assertive quality of the Acura.

But look closely and there are some interesting, if not very exciting, design details. The doors run all the way to the bottom of the car, hiding the rocker, and have small linear indentations that resemble robust separate rocker protectors of some SUVs. The grille is also unique for Honda: it had chrome finish horizontal vanes that fade out beyond the core graphic, more plan shape that corresponds to the creases on the hood, and is far deeper than on other Accord variants. Along with shallower headlamps than on the sedan it makes for a quite imposing DRG. Another unusual feature is an additional lower glazed panel in the tailgate - a Honda design signature we first saw on the ‘80s CRX as well as on the current European Civic and the Insight.

The Crosstour is an innovative package that may appeal to those downsizing from an SUV but for whom a sedan is too serious or business-like in its image. Regrettably, bar the strong DRG this innovative package is cloaked in a conservative design that makes for an ambiguous and not very enticing proposition.

Hyundai Sonata

The international debut of the new Hyundai Sonata coincided with the North American market introduction of the Tuscan and of the expression ‘fluidic sculpture', which the company is using to describe the new design language of these and forthcoming vehicles from the Korean brand.

The new Sonata follows its predecessor in targeting the Toyota Camry and US market Honda Accord, but differs markedly in having ‘fluidic sculpture': a far more expressive and curvaceous aesthetic. Central to this are the two single sweeping lines that define the top of the DLO and run from the headlamp through the shallow upper shoulder to the rear, a theme reminiscent but distinct from the Mercedes Benz CLS. The lower line innovates in having a chrome seam running from the headlamp through the hood shut line and along the base of the DLO. This sits above an unusually shallow shoulder which itself is defined by a sharp bone line that fades out in the C-pillar. Below this is a similarly sharp bone line that sweeps up from behind the front wheel and takes over from the upper bone line to form a broader shoulder as it runs into the rear. Between these bone lines is a mix of concave and convex surfaces that were impressively well resolved and continued around the front and rear of the car also.

The interior also has some of the ‘fluidic sculpture' of the exterior, notably in the center stack. The use of more matt finish wood appliqué and vertical vanes to air vents are also nice elegant touches, but otherwise the design is quite orthodox.

This new Sonata is a very attractive and distinctive, and a design that despite its complex surfacing has impressive levels of surface refinement. But what we think is most significant is that it shows Hyundai's new found conviction in taking its own route. Whilst its predecessor was a handsomely conservative and quite derivative design, here is a handsomely expressive design with will not be mistaken for any other car on the road.

Honda P-NUT concept

This design is dominated by its mono-space theme that tapers in plan forwards to reflect its arrow-head three seat configuration. Look inside and the rational for the seating layout is the same as the McLaren F1 that pioneered it: to allow seating for more than two in a short length by putting the passengers' legs and feet to the sides of the driver, while the driver's legs and feet sit between the front wheels. But what you also see when you look inside the P-NUT is a very crude model and a design that appears little developed: there was scant detailing and negligible use of color or materials.

The exterior perhaps also suffers from an apparently rushed and/or under-resourced design process, but there is an appealing uniqueness to the concept, some great details and some impressive resolution also.

The front face is perhaps the least comfortable aspect with an overly literal ‘mean face'. This is made of a low set mouth/grille glazing element (that augments forward visibility) connected to the lamps. Just above the DRG is a visually weak point where the tapering A-pillars form two sharp corners with no supporting ‘mass'. But the dramatic tapering A-pillars is unique and also creates a broad front shoulder that tapers rearwards, which lends an appealing robustness to this small car. The shoulder surface is near horizontal with a sharp crease delineating the sheer body-side that on closer inspection has some subtle surfacing and plan shape. The body side's relationship with the shoulder is complemented by a similar relationship with the rocker that also borrows thinking from last year's Honda FC Sport show car in tapering under the car. At the rear there are hints of the fantastic Honda Bulldog concept from 2001 with an upright narrow rear aspect flanked by deep section shoulders.

The P-NUT is a fun little concept, but like previous Honda concepts from the Southern California studio, we can't help but wish it was a little less superficial in its thinking and execution.